Sergei, you are driving me crazy! That is wonderful even on a computer, WOW!
and I just learned Novosibirsk is the third largest city in Russia. I learned something today!
Thanks and keep posting, your data is also appreciated.
Sergei, you are driving me crazy! That is wonderful even on a computer, WOW!
and I just learned Novosibirsk is the third largest city in Russia. I learned something today!
Thanks and keep posting, your data is also appreciated.
Tin Can
OK, I just ordered Kodak Green Ortho 7x17 100 sheets for $61.29 delivered from http://www.cxsonline.com. Since I am currently shooting 5x7 Ilford DPP, I will cut this down to 5x7 and have plenty to make 7x11 for
This is getting interesting,
now back to shooting DPP with studio flash
Tin Can
Thanks, Peter and Randy.
I finally pushed myself today to do some of development in my usual rodinal 1+100, for stuff that was shot on different ratings (literally going from iso 5 to 100) , just for the hell of it. Wanted to see if i can use process lens with hand shutter, plus some other ideas. Then got brave enough to try studio shots i did yesterday, rating from usual meter around iso 50-60.
Lower ones went completely overexposed, no surprise there, even with 3 minutes development (still gave me some weird imagery though. can use it for textures and abstracts overlays with digital), but doing 7.30 with iso 50 in 1+100 turns out to be very very close to what i like to see in skin tones. Didnt even have to wiggle much those bars in vuescan. And right now about to see what print will look like![]()
8x10 kodak xray cgs, gundlach radar, rodinal 1+50, 5 minutes.
Scan-130330-0001www by Sergei Rodionov, on Flickr
Very nice Sergei. I really like your artistic style, the very dark atmospheric condition is so expressive. Moody! Excellent. I have much to do. X-Ray may be precisely where I want to go.
Thank you.
Tin Can
Beautiful!
Thanks guys.
Randy - thats the oddest thing with Xray probably. People find it too contrasty or weak ranged.. But it works for my light/preferences in studio shooting just fine. I can get about any digital on market - from 35mm to dMF cry like a baby, with noise b/c of way how i light things.. That was another reason why i so wanted to go back to film - its just working (ok, having cameras quitting in middle of shoot did help decision a bit too). And i know what will happen next.. i will keep looking at Jim's work and then you will post yours too.. and i will start scraping for 14x17 back like maniac
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ghostcount - single light. But angles very carefully to desired poi Since i got my modeling lights working properly and track setup - my shooting pace increased dramatically and i also no longer have need for polaroid/digichimping tests, which is brilliant![]()
Well, it will take me a while to get up to speed. I have been doing half digital, half wet, but my D800 so pissed me off I sold it at a huge loss. I want images, not electronic marvels that don't work. Too expensive playing digital one up-man-ship games that is just getting worse. Now we need 4K video cameras and next week 8K video.
I like your 'look'. To print like that with my Canon Pro 1 printer, I need a lot of black ink. I hope to finish my darkroom and move to all wet.
My shooting studio is small, but I have strobes and led's on wall booms. I'm kinda old and beat up to compete, but I will give it a try.
Big cameras here we come, since big film IS available and affordable.
Thanks for all the inspiration!
Tin Can
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