georgl
5-Jan-2015, 04:20
I finally got my dream camera: an Ebony SW410E !
Since information on the internet is sparse, I try to share my experiences in this thread:
why an Ebony?
I first saw it during Photokina on the Schneider Kreuznach booth and it was love at first sight... I never cared much for wood but the overall design, aesthetics and build-quality convinced me here for the first time.
It took some time to get past the price but after more than two years, I decided that it was time to invest in Ebony and Titanium...
Since there is no real specialist dealing with large format in Germany and I wanted to visit Japan anyway, I took the chance and contacted Hiromi Sakanashi to order my dream camera from the man himself.
I visited his office in October and he and his assistant were kind enough to guide me through the decision process for several hours!
why 4x10?
I shoot mainly landscape and architecture, I love the "Cinemascope"-like aspect ratio. 4x10-equipment is lighter/smaller and the lens choices IMHO more interesting due to the slightly smaller imace circle needed for 4x10. I use a Koenig Photobag Rucksack to transport the camera safely.
the camera itself
The build-quality is very good, woodwork and metal parts are simply several steps ahead of what is offered in Chinese copies like Shen Hao. It is quite rigid and the focusing is smoother than on any other wooden camera design.
It is non-foldable and therefore easy to set-up. The back end of the bellow is stiff, the front end very smooth which makes handling quite easy with short (<150mm) and long lenses (>300mm). Only the back shift is not a smooth due to the wide design. Tilt and shift are strictly separated, making adjustments simple and precise.
I ordered it without the accessory shoe and front spirit levels due to aesthetic reasons (I use separate spirit levels anyway).
I also ordered three 4x10 filmholders from Mr. Sakanashi which are beautifully and very precisely made!
what's next?
I try to acquire lenses (looking for Symmar Xl110, Sironar-S 210 and Xenar Compact 350) and some additional accessoires to make 4x10 feasible (cutting device, Jobo drum...). I hope I can justify the expenses with some adequate imagery ;-)
Any questions are welcome!
Last but not least a few Images:
http://www11.pic-upload.de/05.01.15/to364xz15bzz.jpg (http://www.pic-upload.de/view-25758420/L1007214.jpg.html)
http://www11.pic-upload.de/05.01.15/e5vwkhel1nza.jpg (http://www.pic-upload.de/view-25758424/L1007217.jpg.html)
http://www11.pic-upload.de/05.01.15/3pwgsulf3s4.jpg (http://www.pic-upload.de/view-25758456/L1007211.jpg.html)
http://www11.pic-upload.de/05.01.15/j5iv2c8jut58.jpg (http://www.pic-upload.de/view-25758436/L1007232.jpg.html)
Since information on the internet is sparse, I try to share my experiences in this thread:
why an Ebony?
I first saw it during Photokina on the Schneider Kreuznach booth and it was love at first sight... I never cared much for wood but the overall design, aesthetics and build-quality convinced me here for the first time.
It took some time to get past the price but after more than two years, I decided that it was time to invest in Ebony and Titanium...
Since there is no real specialist dealing with large format in Germany and I wanted to visit Japan anyway, I took the chance and contacted Hiromi Sakanashi to order my dream camera from the man himself.
I visited his office in October and he and his assistant were kind enough to guide me through the decision process for several hours!
why 4x10?
I shoot mainly landscape and architecture, I love the "Cinemascope"-like aspect ratio. 4x10-equipment is lighter/smaller and the lens choices IMHO more interesting due to the slightly smaller imace circle needed for 4x10. I use a Koenig Photobag Rucksack to transport the camera safely.
the camera itself
The build-quality is very good, woodwork and metal parts are simply several steps ahead of what is offered in Chinese copies like Shen Hao. It is quite rigid and the focusing is smoother than on any other wooden camera design.
It is non-foldable and therefore easy to set-up. The back end of the bellow is stiff, the front end very smooth which makes handling quite easy with short (<150mm) and long lenses (>300mm). Only the back shift is not a smooth due to the wide design. Tilt and shift are strictly separated, making adjustments simple and precise.
I ordered it without the accessory shoe and front spirit levels due to aesthetic reasons (I use separate spirit levels anyway).
I also ordered three 4x10 filmholders from Mr. Sakanashi which are beautifully and very precisely made!
what's next?
I try to acquire lenses (looking for Symmar Xl110, Sironar-S 210 and Xenar Compact 350) and some additional accessoires to make 4x10 feasible (cutting device, Jobo drum...). I hope I can justify the expenses with some adequate imagery ;-)
Any questions are welcome!
Last but not least a few Images:
http://www11.pic-upload.de/05.01.15/to364xz15bzz.jpg (http://www.pic-upload.de/view-25758420/L1007214.jpg.html)
http://www11.pic-upload.de/05.01.15/e5vwkhel1nza.jpg (http://www.pic-upload.de/view-25758424/L1007217.jpg.html)
http://www11.pic-upload.de/05.01.15/3pwgsulf3s4.jpg (http://www.pic-upload.de/view-25758456/L1007211.jpg.html)
http://www11.pic-upload.de/05.01.15/j5iv2c8jut58.jpg (http://www.pic-upload.de/view-25758436/L1007232.jpg.html)